PAPERBLANKS BLUSH PINK CLASSIC | MINI | LIN. JOURNAL
Code: SP3994
PAPERBLANKS BLUSH PINK CLASSIC | MINI | LIN. JOURNAL
Delicate repetition and astonishing detail help to create this silvered
meditation on the nature of beauty. The word 'filigree' derives from theLatin words filum (thread) andgranum (seed). The filigree bindings are
enhanced with foliage-ornaments and clasps. The original binding of our
Shadow, Natural, Blush Pink and Maya Blue covers was created in
Strasbourg, France in 1697 to house Paradiesg?rtlein, a text by Johann
Arndt (1555-1621). To achieve the gilded and polished motif, a base
layer of silver sheets was first die cut, and elaborate grooves were
then meticulously etched into its surface. The same technique was
applied in Germany in the early 1800s to create the design adorning our new Aubergine and Esmeralda covers. The art of filigree is a moving
testament to the human drive to ornament in order to delight the eye andfocus the spirit and attention. One can imagine our journals holding
ancient matters of great importance as easily as one can see them placedwith pride on well-appointed contemporary desks.
Delicate repetition and astonishing detail help to create this silvered
meditation on the nature of beauty. The word 'filigree' derives from theLatin words filum (thread) andgranum (seed). The filigree bindings are
enhanced with foliage-ornaments and clasps. The original binding of our
Shadow, Natural, Blush Pink and Maya Blue covers was created in
Strasbourg, France in 1697 to house Paradiesg?rtlein, a text by Johann
Arndt (1555-1621). To achieve the gilded and polished motif, a base
layer of silver sheets was first die cut, and elaborate grooves were
then meticulously etched into its surface. The same technique was
applied in Germany in the early 1800s to create the design adorning our new Aubergine and Esmeralda covers. The art of filigree is a moving
testament to the human drive to ornament in order to delight the eye andfocus the spirit and attention. One can imagine our journals holding
ancient matters of great importance as easily as one can see them placedwith pride on well-appointed contemporary desks.
