JOSEPH CONRAD JOSEPH HEART OF DARKNESS, YOUTH AND THE END OF THE TETHER
Heart of Darkness, Youth and The End of the Tether
Joseph Conrad
With an Afterword by David Pinching
Heart of Darkness is a short and vividly brutal account of colonial enterprise that has as much in common with the jaded Evelyn Waugh of Black Mischief as it does with any of Conrad's direct contemporaries in late 19th and early 20th century. It has managed to retain the fascination of readers and scholars to a far greater extent than his other fine works, such as the more conventionally novelistic tale of South American political chicanery and greed in Nostromo and the substantially more page-turning thriller The Secret Agent. It is accompanied in this volume by the tales with which it has been published since 1902: the autobiographical short story Youth, and the less personal but more substantial tale of an old man's fall from fortune, The End of the Tether. Though these stories differ considerably in style and content from his later novels, much of his reputation rests upon the words contained in this volume.
The Collector’s Library restores traditional visual and tactile pleasures to the joy of reading.
Each book is designed to appeal to the book-lover; in every case the type is re-set, illustrations, where appropriate, are selected from sources as close to the period of the book as possible, and the books are printed on high-quality paper, section-sewn and bound in real cloth. Each book has endpapers, a satin ribbon marker, head and tailbands and gilt edges. They represent the marriage of great literature to high aesthetic and craft standards, using the technology of the 21st century to produce something classic and at the same time unmistakeably modern.
Their handy size means that they can be slipped into the pocket, handbag or briefcase, and their robust manufacture makes them ideal travelling companions as well as comfortable bedside reads at very affordable prices.
‘I cannot imagine a more heavenly present; they are so beautifully produced and illustrated.’
Jilly Cooper, novelist
‘It is delicious to see gilt edges again. ... They are far more pocket-sized than any paperback.’
Joanna Trollope, novelist
